Photo: Josh Pulman
Excerpt from this article:
A group of people wait by a monument, unaware of each other’s existence. A woman strides open-mouthed down a busy street, holding one hand across her heart. Two young men – brothers? – stand behind a white fence, both their heads bowed at the same angle.
These are some of the moments captured in photographer Josh Pulman’s ongoing series called Somewhere Else, which documents people using mobile phones in public places (see pictures). Almost every street in every city across the world is packed with people doing this – something that didn’t exist a few decades ago. We have grown accustomed to the fact that shared physical space no longer means shared experience. Everywhere we go, we carry with us options far more enticing than the place and moment we happen to be standing within: access to friends, family, news, views, scandals, celebrity, work, leisure, information, rumour.
Little wonder that we are transfixed; that the faces in Pulman’s images ripple with such emotion. We are free, if “free” is the right word, to beam stimulation or distraction into our brains at any moment. Via the screens we carry – and will soon be wearing – it has never been easier to summon those we love, need, care about or rely upon.
Yet, as Pulman himself asks, “If two people are walking down the street together both on the phone to someone else, are they really together? And what is the effect on the rest of us of such public displays of emotion, whether it’s anxiety, rage or joy?” To be human is to crave connection. But can our talent betray us? Is it possible to be “overconnected” – and, if so, what does it mean for our future?